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SCREENING 002


Lumapit Sa Akin, Paraiso

Come To Me, Paradise



A SCREENING AND ARTIST TALK ON FEMALE DOMESTIC LABOR, GENDERED MIGRATION AND SCIENCE FICTION.

LUMAPIT SA AKIN, PARAISO IS A SCIENCE FICTION DOCUMENTARY BY STEPHANIE COMILANG THAT USES THE BACKDROP OF HONG KONG AND THE VARIOUS WAYS IN WHICH THE FILIPINA MIGRANT WORKER OCCUPIES CENTRAL ON SUNDAYS. THE FILM IS NARRATED FROM THE PERSPECTIVE OF PARAISO, A GHOST PLAYED BY A DRONE WHO SPEAKS OF THE ISOLATION FROM BEING UPROOTED AND THROWN INTO A NEW PLACE. PARAISO’S REPRIEVE COMES WHEN SHE IS FINALLY ABLE TO INTERACT WITH THE WOMEN AND FEEL HER PURPOSE, WHICH IS TO TRANSMIT THEIR VLOGS, PHOTOS, AND MESSAGES BACK HOME. DURING THE WEEK SHE IS FORCED BACK INTO ISOLATION AND IS LEFT IN AN EXISTENTIAL RUT.

THE FILM USES HONG KONG’S DYSTOPIAN MAZE LIKE STRUCTURES THAT THE FILIPINA MIGRANTS REIMAGINE AND FOCUSES ON THE BEAUTY OF CARE-GIVING BUT ALSO EXPLORES HOW TECHNOLOGY IS USED AS A PIVOTAL WAY FOR THE WOMEN TO CONNECT - TO EACH OTHER BUT ALSO TO LOVED ONES. RAISING QUESTIONS AROUND MODERN ISOLATION, ECONOMIC MIGRATION, AND THE ROLE OF PUBLIC SPACE IN BOTH URBAN AND DIGITAL FORMS, THE FILM TRANSCENDS ITS VARIOUS COMPONENT PARTS TO OFFER A STARTLING COMMENTARY ON THE PRESENT, FROM THE POINT OF VIEW OF THE FUTURE.
DECENTRALIZING THE WEB CULTIVATES CRITICAL EVALUATIONS OF ONLINE PRESENCE THROUGH AN INTERSECTIONAL FEMINIST LENS. PANELS AIM TO UNTANGLE THE PSYCHO-SOCIAL IMPLICATIONS OF IDENTITY POLITICS ON THE GLOBAL WEB, EXAMINING THE EMBEDDED BIASES DRIVING DOMINANT MODES OF REPRESENTATION IN DIGITAL SPACES.

THIS EVENT IS CO-ORGANIZED BY VOIDLAB AND WILL DAVIS, AND KINDLY SUPPORTED BY THE CENTER FOR SOUTHEAST ASIAN STUDIES, UCLA.




Stephanie Comilang
Director
Nerve Macaspac
Echo Park Film Center